Showing posts with label the eldritch dark. Show all posts
Showing posts with label the eldritch dark. Show all posts

Tuesday, December 31, 2013

Favorite Records of 2013 - Number 1


I was tempted to be a wise guy and list my bands record but that would be too obvious, right? Oh by the way, click here and do a little commerce and come back in a few.

Let me stress that this list is for my FAVORITE record of the year. Like I said at the start of this it is impossible for your humble correspondent to declare what the best record of the year is. I can most definitely say what it is NOT however, and it certainly is NOT the Kanye West record. That guy could smear his shit on a disc and Spin would give it 5 stars. Please. No, it is far more accurate to say what my favorite records are, the ones I keep coming back to to enjoy and find new things with.

So my favorite record pf the year is hands down The Eldritch Dark by Blood Ceremony. The band's name coupled with the album cover make it sound like this is some satanic band. Well, only kind of. HA! This nominally gets put into the metal category, but more appropriately it is folk-metal. What the hell is that, you ask? I describe Blood Ceremony as if Jethro Tull did Black Sabbath songs. Or maybe Black Sabbath doing Jethro Tull songs. Imagine it either way but front the band with a sexy witch. Mix that up and shake and you get Blood Ceremony.

They are another Canadian act. Four-piece. Guitar/bass/drum with the lovely Alia O'Brien doing vocals and keys and naturally the flute. They traffic in a classic proto-metal sound while incorporating folk touches. It's great stuff. Lyrically they find interest in the occult. Titles like "Witchwood," "Lord Summerisle" (for you Wicker Man buffs), "Ballad of the Weird Sisters," and "The Magician" give it a way. It is not as tongue in cheek (or Dio-inspired) as Ghost, but it's wicked in an amusing not sinister way. It sort of reminds me of the goth girl on my residence hall floor my Freshmen year who was probably casting spells on everyone, except with better taste in records. It plays like those creepy Italian horror movies from the 70s.

Why do I name it my favorite? It is an alluring record, especially with the alluring Ms. O'Brien presiding over the festivities. It helps, I will not downplay it. But without that the music is still great, still alluring in of itself. Ms. O'Brien is an excellent singer. The songs are catchy and heavy and airy all at the same time. The band is super-tight. Great riffs and grooves. I saw them open for Kylesa and was so blown away I hunted out and found a similar Yamaha guitar that guitarist Sean Kennedy plays. Which has incidentally become my go-to guitar for shows. Back to the record. The songs are just really good. Great interplay with guitar and keys/organs and flute and fiddles.

Here's "Goodbye Gemini."



So there you go...my favorite ten records of the year. I do hope you have been inspired to check them out! Otherwise, I wouldn't have gone to all the trouble. I will talk about some of the records I got recently that did not crack my list but might have if they had shown up earlier!

Oh, and a very Happy New Year! To paraphrase a poet of old, got a feeling '14 is going be a good year!


Monday, September 23, 2013

The Eldritch Dark

When all is said and done this year, I expect The Eldritch Dark by Blood Ceremony to by sitting at the top of my favorite records of the year list. They are one of the many bands that Spotify has recommended to me since I started using the service.

I have mentioned them a couple times here. First when I
saw them open for Kylesa; second when they made my mid-year report. In case you're just tuning in they are a four-piece from Canada fronted by a keyboard and flute playing lady. Naturally she is fine but that is honestly just ancillary to the music, which is a cross between Jethro Tull and Black Sabbath. Lyrically it is kind of silly, singing about witches and sorcery and goings-on in related forests, but that's part of the fun. It doesn't waste anytime, as album opener "Witchwood" (of course) demonstrates:

Black magic has come to Witchwood
Their devilry takes place within our lonely woods
Such strange words and stranger visions
Forbidden hymns to summon things one never should

The record continues in that vein. There's more about shape-shifters, and sisters up to no good, and the moon, and the dark, and magicians, and a song about Christopher Lee when he burned up The Equalizer in The Wicker Man. This kind of stuff always makes me laugh a bit. When I was a kid I used to think how dangerous it was to listen to things like Iron Maiden. It was more interesting than what you usually got out of rock lyrics. Blood Ceremony are the same way. The pseudo-witchiness comes across as kitsch more than anything else. It's not scary like Slayer is; when you see Kerry King you get the impression he probably does worship Satan. Blood Ceremony does it with a nod and a wink. And I mean this all as a positive!! Looking at the notes in the record it appears guitarist Sean Kennedy writes all the lyrics. That is somewhat disappointing. Lead singer Alia O'Brien is a looker and it's more alluring to think she wrote them, but that's really a whatever kind of thing. The charm is that you have a pretty girl getting all witchy and singing about devil hymns. She seemed like a nice girl when I saw them live.

The music is great through and through. It's a very folky kind of heavy rock. I've seen them filed under doom metal. It's not really metal...too much gets lumped under metal these days. It has mellow spots where the flute takes over but it has plenty of rock to keep the head banging, but it stays to a very 70s inspired brand of metal. Really very debut record-era Sabbath. The band is altogether tight. Good grooves, good melodies that are both bright yet sinister-esque. Great vocals. Guitarist Sean Kennedy played a beautiful Yamaha when I saw them which inspired me to look into getting one of my own. I found one on eBay which I got for a total steal. Granted mine is the low-end base model wile his was the high-end fancy one, but it plays amazingly well for a guitar I got mainly because I liked the look, so much so it has become my primary gig guitar. Sweet!

Anyway, here's the second track off the record, "Goodbye Gemini."


Friday, July 5, 2013

Mid Year Report

Since everybody else seems to be doing it, here's my Top 5 records of the year. It's entirely possible one  or two or all of these will fall off the Top 10 of the year (that happened last year with The Shins) but I doubt it! These records are all really good!! Some hard and heavy stuff...some mellow stuff.

The Eldritch Dark by Blood Ceremony - What happens when Black Sabbath meets Jethro Tull? You get Blood Ceremony. Though front-lady Alia O'Brien is far cuter than either Ozzy or Ian Anderson. I've been drooling over this record on Spotify for a while...the vinyl is supposed to be coming soon, so I will write about it when it shows up. They are from Canada, which is apropos of nothing.

Ultraviolet by Kylesa - This is s good as modern metal gets. Smart, well-written, not super-fast so it keeps a great groove. Kylesa know how to get it mellow before breaking into a sonic tidal wave. Read more here and here (Blood Ceremony here to!)

The Stand-In by Caitlin Rose - And now for something completely different. Sensational country-esque singer-songwriter. I say country-esque because "modern" country is equated with junk like Taylor Swift. This is the real deal. More here.

Impossible Truth by William Tyler - Brilliant record I wrote about here. Guitar instrumentals can get dull in a hurry; this doesn't get dull at all, it's mesmerizing. It's not the kind of record you dance to (I guess you can but it'd be kind of weird) but even though it's wordless it's the kind of record you still pay attention to.

Elephant Stone by Elephant Stone - More Canadians. Psychedelic prog-pop with 12-strings and sitars. Very classic era 90s sounding band. I need to listen to this record more. Wrote about seeing them live here.

There you go. Like I said, I can't really see these records falling off the list. Especially the Blood Ceremony one. If one of them does (or two or three) then that will be great because that means more killer records came out. I expect the new Blackfield will be on my list, that comes out September-ish. Alcest and Anathema are both working on new records. Records I have now that could make the list? Destroy This Place, Arbouretum, Kadaver maybe. It will be fun to find out!!